From the always knowledgeable CBC historians at Queens University:
Dramas included Paul Almond's production of Neighbours, by Arkady Leokum; Jacqueline Rosenfeld's Who Needs An Enemy?, produced by George McCowan; Paul Wayne's play, Moose Fever; Malcolm Mamorstan's I Ran Into This Zombie; Between The Silences Of Love, by Len Peterson, produced by George Bloomfield; a second script by Rosenfeld, Face To Face; and Prelude, written by Phillip Hersch and produced by Leo Orenstein.
Show Of The Week also featured four segments of Instant TV, a variety show produced by Bavaria Atelier Gmbh in Munich.
Subsequent seasons included a range of drama and variety, with plays by Hugh Kemp (Whatever Happened To Jeremiah Goodwin?, l965), Phillip Hersch (Masters In Our Own House, 1965), Len Peterson (The Desperate Search, 1966), George Robertson (A Germ Of Doubt, 1966), and Jean Cavall (It's Murder Cherie, 1966), under the supervision of executive producer Ronald Weyman, who succeeded Moser. However, the program gradually stressed variety, and included U.S. broadcasts from NBC-TV, such as Perry Como specials (l964-66), The Danny Thomas Hour (l967-68) and the Kraft Music Hall (l968-69). However, it also provided a slot for domestic talent. Wayne and Shuster's yearly output of four specials were broadcast in the Show Of The Week slot. The original not-ready-for-prime-time-players, the cast of the CBC's naughty late night show Nightcap, appeared on a toned-down evening special, The Best And Worst Of Nightcap. And, in 1968 it included a one hour special devoted Gordon Lightfoot, in a rare television appearance. As the show stressed music and variety, the executive producer in its latter years was a specialist, Paddy Sampson.
And while we're at it, let's listen to the most aggressive rawkin sound the band ever laid to wax:
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